The Bachelor's Emily on her behalf account Surprising Exit: People Say I Dodged a Bullet

It might seem like the Good Wife's Alicia will have a new frenemy: Matthew Perry.The Pals star has signed on for just about any recurring role round the legal drama, CBS introduced Friday. Perry may have Mike, an attractive attorney who's leading the panel that's considering a suspicious ... Discover More > Other Links From TVGuide.com FriendsThe West WingJulianna MarguliesMatthew PerryStudio 60 round the Sunset StripThe Good WifeMr. Sunshine

Veraalba Santa...Got the Part

"Initially initially when i first see the script, it felt like if you awaken in the dream," recalls "Sweetness" star Veraalba Santa. "You are trying to revive it together as being a puzzle. Even though you can't quite explain what went lower, you've kept the intensity inside you.In . Fittingly, the first audition piece that showed up her a respected role inside the dramatic online video required it's origin from the virtually century-old dream.After posting herself for your role of Arianna, a dancer whose relationship is rapidly heading down hill due to her partner's alcoholism, Santa received a specific directive on her behalf first NY audition since graduation in the two-year conservatory enter in the area Playhouse last May. "The producers sent me some options from C.G. Jung's documents on dreams, which i wound up being to choose one making formulations an interpretation using text and movement," Santa describes. "It absolutely was very in tune using the kind of training I received in [my native] Puerto Rico.""Sweetness" director Josh Leuben reasons, "We didn't want anybody later on together with something they'd maybe prepared countless occasions already, since they might have been efficient at that particular piece." Response to the esoteric request was mixed. "Lots of people just didn't have clue and made an appearance really really irritating,In . he confesses, "but we understood the very best person brings existence to individuals linesthese dreamsand whose work might be completely tailor-made to that which you were trying to find.InchOn her behalf part, Santa discover the Jungian scenario where a youthful patient wants a frightened equine that tears through numerous rooms before jumping using a window towards the demise. Going through the opportunity to attract on her behalf account extensive dance training, she switched the potentially morbid exercise in to a wellspring of inspiration. "I practiced by myself in the event event gazebo in Prospect Park," she states, "which i chose to make use of dance heels to create the weather in the equine using numerous flamenco-like percussive steps which will use crescendo since the equine opted for the area.InchSanta's creation tore using the audition room by itself, winning around the passionate creative team that instantly understood it had finally found its Arianna. "The moment she started, what stuck out about Veraalba was they really needed it to heart. The means by which she shipped her lines was greater productivity of her body than her mouth. It absolutely was just what i had been trying to find,Inch states Leubin.Santa states that her character in "Sweetness" is "exorcised" and finds out to discover forgiveness through dance. "The text of movement can be very effective," she states. "It's very important will be able to always continue learning dance, because it really helps my acting. Essentially know very well what I'm doing with my figure, I realize things i am doing with my words."Santa is nonunion but is American Federation of Television and Radio Artistseligible. She expects to remain in NY for your expected future and might be contacted with the BackStage.com talent database.Has Back Stage aided you obtain cast formerly year? We want to see your story. Keep up with the weekly column by getting in touch with casting@backstage.com for NY or bswcasting@backstage.com for La with "I Obtained the Part" inside the subject line.

Amy Acker Embraces Playing Grimm's Alluring Black Widow

Amy Acker Amy Acker, known for portraying a sweet egghead who was enslaved on Joss Whedon's vampire-detective series Angel, won't be playing the victim on Friday's Grimm (9/8c, NBC). In "Tarantella," Acker plays Lena, an alluring woman who happens to be a deadly black widow-type of creature, or in Grimm-speak, a Spinnetod. "It's a spider-creature who, in order to survive, has to sacrifice or eat three men every five years," the actress tells TVGuide.com. From Castle to Grimm: A user's guide to TV procedurals Working on Grimm reunited Acker with Angel executive producer David Greenwalt. "I was excited that he was back doing something else again," she says. "And I just loved the whole concept of the fairy tales, the Grimm tales and detectives. It was something that when we were looking at all the new shows, I was like, 'I want to watch that one.' I was excited for this role because it seemed like it was going to be just a real challenge and it was going to be something that I definitely hadn't done before." Read more about Acker's conflicted character, the makeup involved and reuniting with Whedon for Much Ado About Nothing and The Cabin in the Woods: What can you tell us about Lena and her need to kill men?Amy Acker: That was what was interesting about playing this part is that you really, you kind of struggle with her as to what the right thing for her to do is. She's doing the wrong thing, but at the same time, it's kind of like, there's not another choice. She's not like Monroe, the Blutbad, who can become a vegetarian and still survive. Can't they develop a dietary substitute for Spinnetods, like the blood substitute that was developed for vampires on True Blood?Acker: Exactly. I feel like they need like a doctor who can help them solve all these people's problems. Maybe they should bring my character back to help solve this problem. Check out this video of another Spinnetod explaining her cursed existence: Were there discussions about how she chose her victims, so that at least she chose bad people, as the serial killer does in Dexter?Acker: There weren't, but it seemed to me like she chose people that, she felt like maybe there was something about them that made it easier to do what she had to do. What did you think about Lena's different disguises - like that great fedora - that she used to pick up men?Acker: That was what I called David Greenwalt about first: Is this just her, and she's in disguise? Or does she have to become someone else in order to do what she needs to do? He was like, "I think it's somewhere in the middle." He would kind of let me play around with it, so I kind of took the idea that it's not like she's a totally different person, but it was easier to do what she needed to do when she wasn't seeing herself doing it... Who knew a hat could be so important? First look: Amy Acker guest-stars on Grimm Can you describe the practical makeup effects you had to deal with to play the Spinnetod?Acker: It was interesting because I've done lots of shows with really big makeup effects, but I've always been the one watching the people getting it on while I'm done. I don't know that I had enough sympathy for the people; it's a long process. I would say I was in the chair between two and three hours. It's not as easy as it looks, but it was really fun to see how they pull this piece of, whatever it's made of, from a piece of plaster on your face and watching it transform over two hours. It's amazing how talented the people are. How did it feel to have all that makeup on you?Acker: The weirdest part of the spider makeup was actually the arm pieces. They were saying that usually when people have hands that they're kind of big gloves, and these were skintight. So I was like, "Is it normal not to have circulation in your hands?" And they're like, "We'll loosen that a little bit." But it looked so cool, and once you put it on, you're like, "OK, this is who the character is." It was fun because I was sending text messages home to my husband and kids. He's like, "You realize its bedtime and you're totally terrifying our children." Check out this promo that reveals Acker in her full Spinnetod glory: We see from the promo that there a few action scenes, like when Lena climbs up a pole. How many of these scenes did you do yourself?Acker: I got to do a good amount of the fighting here, but because of all of the makeup, there were some scenes that I was like, "You know, I think since I can't see or hold on, I'll let the professional do it." Your career got a kick start by working with Joss Whedon on Angel, and you got back together with him for the upcoming film The Cabin in the Woods. What can you tell us about your character?Acker: I don't know that I can tell you much about it. Everything I do is like a secret, I guess. But I did see it this weekend for the first time, and I loved it. I didn't really know what to expect, and I was in it. It's so original and different. They did a great job. I was scared. There was some screaming. You also worked on Whedon's adaptation of Much Ado About Nothing. How was it working with other stars from the Whedon universe, like Nathan Fillion and Alexis Denisof?Acker: There was pretty much all of the favorite people there. It was nice. It was just like hanging out with a lot of old friends. I play Beatrice, and unfortunately Beatrice and [Fillion's character] Dogberry don't have one scene together, but I got to see him in passing, but Alexis Denisof was Benedick, so that was a mini-Angel reunion. The sci-fi and fantasy fandom has embraced you. Do you enjoy watching those genres?Acker: I do. I watch Grimm and Once Upon a Time. I like both of those shows, and we watch True Blood. Those are the shows for me that are fun to watch, because I like that part of escapism, and I think the acting is really fun to watch, and those are the characters I like to play. It sounds like you might have trouble watching horror movies though, judging by your reaction to The Cabin in the Woods...Acker: I'm sort of a wimp, but I'm getting better. I'm trying to like them. I feel like all of my friends and people keep being in them, so I keep having to watch them. You've done Grimm and will also make a guest appearance on Once Upon a Time later this month. Do you enjoy fairy tales? Does one stand out for you from childhood?Acker: I made all my brothers and sisters do The Little Mermaid. I was directing. My sister, Rachel, was the Little Mermaid, and my sister, Shelly, is still mad at me because I made her be Ursula. She still holds that over my head. I was playing Sebastian and every other part. Grimm airs on Fridays at 9/8c on NBC.

Pacha snares pair

Paris-based Pacha, the very first sales company devoted to Arab world content, has clicked up worldwide privileges to "My Buddy the Demon" and "The Final Friday."Created by London's Wild Horses Film Co. and Rooks Nest Entertainment, "Demon" may be the debut of Egyptian-Welsh helmer-scribe Sally El Hosaini. It won cinematography in Sundance's World Dramatic Competition. The gangster movie/same-sex love tale is occur a gritty London underworld."Friday" activates a lower-on-his-luck taxi driver scraping together funds for essential surgery. From tyro director-author Yahya Al Abdallah, resides in Jordan's Amman, "Friday" won San Sebastian's Cinema moving rough-cut showcase, then your Special Jury Prize, actor and music at December's Dubai Festival."Demon" screens in Berlin's Panorama, "Friday" in Forum.Pacha chairman Frederic Sichler, former Studiocanal Boss, thinks "Friday" indicates consolidation in Arab world filmmaking. "Using the Jordan Film Commission supporting the standard manufacture of films, Jordanian cinema is actually coming up," Sichler stated.Amman's Rula Nasser created "Friday." "There is a generation of recent producers emerging within the Arab World," Sichler stated, stating Nasser, Mohamed Hefzy (a Pacha partner who takes an professional producer credit on "Demon") and Tunisia's Habib Attia amongst others. "They represent a large bit of the Arab world cinema puzzle." Pacha also reps Hanan Abdalla's Panorama player, "Within the Shadow of the Guy," a portrait of ladies at the time of Egypt's revolution."The main alternation in Arab society within the last years may be the entry of educated women in to the labor force," Sichler stated. Contact the range newsroom at news@variety.com

Tune guild sets noms

The Guild of Music Supervisors has announced the nominees for its second annual Grammy Day awards brunch, to be held Feb. 12 in Los Angeles. The Guild, founded in 2008, will honor music supervisors in nine different categories, including three film awards, four television awards and one award each for trailers and videogames. Film supervisors such as Alexandra Patsavas, Dondi Bastone and Julia Michels are among the nominees. "We are thrilled to expand our awards this year and shed light on all the great work being done by music supervisors," noted Guild president Maureen Crowe. Contact the Variety newsroom at news@variety.com

'G.I. Joe' Photo Catches Rock And Bruce Willis In The War Room

"G.I. Joe: Retaliation" is shaping up to be one of the can't-miss movie events of 2012. Not only did it kick ass and take (a few) names during the MTV Movie Brawl, it also unleashed one of the greatest Super Bowl commercials of the entire game (which you can watch below), thanks to its star-studded cast led by Dwayne "The Rock" Johnson and Bruce Willis. Those two real American heroes get the spotlight in a terrific new Hero Complex interview that also debuts a brand new photo from "Retaliation." See that photo above you, then click on for highlights from the interview. On Bringing In The Original Joe One of the things that everybody kept asking was, Who is Joe? Most of us who didnt grow up with the comic books or the animated series hear the name and think of a single person, not a group, producer Lorenzo di Bonaventura said about bringing Joe Colton to the battle. People who did grow up with those comics think of it as a plural I was someone who grew up with the action figures, so when I saw the animated series I was like, What the hell is this? That wasnt the Joe in my imagination." On The Film's Star Power We have a couple of advantages: Channing is a bigger star [than he was when the first was released], Bruce is a well-established star and Rock is a well-established star, said the producer. Thats a big advantage over the first movie. That positions us in a way that we can say to the audience that were trying for a certain kind of film. On Rock's Fist-Flexing Factor Di Bonaventura explained: "In this world having the sort of physical capacity he has on top of the ability to deliver the humor thats a great combination for the franchise. Its great because [the series has] found the right tone and I think thats so much about what the challenge of a franchise is now finding the right tone. One of the things we talked a great deal about is that when someone gets punched, you feel the punch. It was one of the guiding principles of it. We really wanted you to feel the muscularity of the franchise." Tell us what you think in the comments section and on Twitter!